
If you happened to catch episode 26 of The Spoiler Warning Podcast, then you heard my review of Transformers: Revenge of the Fallen. You heard me rant, get upset, and voice how terrible I thought it was. But that was nothing compared to how pissed I am now, having seen one of the latest tv spots for the film. This 17 second spot proves that the studio knows Revenge of the Fallen is terrible and doesn’t even give a transforming [expletive deleted].
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This afternoon Apple posted the new HD trailer for Roland Emmerich’s new Film 2012, an “epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors”. It amazes me how terrible the effects look in this thing. It’s so bad in fact, that I’ve come up with a new theory. Whenever you attempt a realistic effect, i.e. recreate something that we could actually see in real life, it cannot and will not ever look believable.
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If you’ve ever been excited about a film, only to have major plot elements ruined for you by some jerk, then you know that spoilers are one of the worst things you can possibly experience as a filmgoer. While a film may be worth repeat viewings, you’ll never be able to recreate that first time experience. Lately, however, I’ve been finding that my favorite filmgoing experiences are for films that I already have an intimate familiarity with.
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This past weekend I went to a screening of Obsessed for the latest episode of The Spoiler Warning. When I first walked into the theater, I was surprise by how many people had brought their children (around 5 to 8 years old) with them. As I sat waiting for it to begin, more and more kids piled into the theater. As the show time drew nearer, I got the sinking feeling that I was about to have the worst film watching experience of my life. Little did I know, it was going to be far worse than I could ever have imagined.
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Judging film can be quite difficult. If I’m just watching casually, each viewing can be an isolated experience and I can love or hate it in it’s own right. However, being a host of a film enthusiast podcast, I feel more of an obligation to justify every opinion I have and judge each film within the context of every film that I’ve seen before it. I mean, I really struggle with the fact that I enjoyed Push and Crank High Voltage, but thought Seven Pounds was a terrible film. The more I think about it, the more I feel that there really is a difference between a good ‘bad film’ and a bad ‘good film’.
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