When I first heard about ABC’s new primetime drama FlashForward, I just had to laugh. I would have loved to have sat in on the meeting this thing was pitched at. “Ok, so here’s what we got! Everyone. On the entire planet, right? They like all pass out at the same time, got it? And then, here’s where it gets good. They all have a vision of six months into the future. Hu? Hu? You feel me? Did I just make your brain explode?” It’s the very definition of “high concept” with, in my opinion, no where to go. But I’m trying to give it a chance. I’m willing to forgive it’s terrible premise, however, I cannot forgive the egregious time paradox established in the pilot episode.
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This past week I saw Shane Acker’s latest film 9, a full-length reimagining of his 2005 short film (of the same name). Without a doubt the film is stunningly gorgeous. The miniaturized characters in their destroyed, post-apocalyptic world completely worked aesthetically for me. Unfortunately, there was still something missing. The entire film I just kept wondering why it wasn’t in 3D.
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One of the big new stories coming out of E3 this year was Microsoft’s announcement of Project Natal; a stereoscopic camera input system for the Xbox 360 that provides gamers complete 1-to-1 full-body control over their in game characters. This past weekend, Lionsgate brought us the Film Gamer; a science fiction film set in a future where a game called Slayers gives it’s players control of another human being in full scale combat. Being that the film version of the game is control through gesticulation, it would be perfect for Project Natal.
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If you’ve been to a theater in the last week or so, or if you pay attention to any of the chatter surrounding the film industry, you’ve probably heard about the James Cameron Sci-Fi epic, Avatar. This film has been promising to be the greatest demonstration of both CGI and 3D technology in any film ever and if you read any of the reports from people who have been lucky enough to see footage, it’s going to deliver on that promise. This weekend, however, I got my first glance of the trailer in 3D (attached to The Final Destination 3D) and I have some concerns about the quality of what Cameron will be bringing to the table.
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If you happened to catch episode 26 of The Spoiler Warning Podcast, then you heard my review of Transformers: Revenge of the Fallen. You heard me rant, get upset, and voice how terrible I thought it was. But that was nothing compared to how pissed I am now, having seen one of the latest tv spots for the film. This 17 second spot proves that the studio knows Revenge of the Fallen is terrible and doesn’t even give a transforming [expletive deleted].
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